TRANSFORMATION OF THE CULTURAL MODEL OF THE BLACK RACE IN THE LITERATURE OF THE 19 TH-20 TH CENTURIES.
Ключевые слова:
Key words: speech, culture, experience, cultural models, literature, story.Аннотация
Abstract: This article examines changes in the cultural model of the black race in literature during the 19th and 20th centuries. It explores the evolution of images of black identity, resilience, and agency in response to the historical context of slavery, segregation, the Harlem Renaissance, and the civil rights movement. By analyzing the works of key black writers such as Frederick Douglass, Harriet Jacobs, Langston Hughes, Zora Neale Hurston, James Baldwin, and Ta-Nehisi Coates and Octavia Butler, this study examines the changing representations of blackness in literature. The article emphasizes the role of literature in challenging stereotypes, reclaiming narratives, and reshaping the discourse surrounding black identity, highlighting the ongoing evolution and diversification of the cultural model of the black race in literature.
Библиографические ссылки
References:
John Hellmann, American Myth and the Legacy of Vietnam, New York: Columbia
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My understanding of the fantasy structure of war draws upon Renata Salecl’s
discus-sion of this topic in Spoils of Freedom: Psycho-analysis and Feminism after
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Alan Wolfe, “Anti-American Studies,” The New Republic, February 10, 2003, p.
My discussion of the biopolitical settlement, as well as my understanding of the state
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remarkable discussion of the relationship between forms of life and biopolitics in Means without End: Notes on Politics, Minneapolis: University of Minnesota Press,
Agamben examines the transformation of politics into biopolitics through a
reconsider-ation of Foucault’s account of this mutation in the essay “Form-of-life,”
Means without End, pp. 3–14.
Jacques Ranciere elaborates upon the impor-tance of the phrase “the part of no
part” to political contestations in Disagreement: Politics and Philosophy,
Minneapolis: University of Minnesota Press, 1999,
